William Irwin Thompson Quotes
William Irwin Thompson shares sly commentary on philosophy, democracy and the shifting role of books in shaping ideas.
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In Europe, you do philosophy by performing discourse on another guy's text, and so Derrida will go over Heidegger, and Habermas will extend Marx's corpus; but in America you could never get away with kinky stuff like that, for you have to generate philosophy from real things-like computers or television. You need to look at Omni magazine to get a feel for this new kind of mail-order, Popular Mechanics science of mind. It's full of articles about meditation helmets and downloading the soul into computers so that when your body wears out you can live forever. What is completely missing in Europe is precisely what you will find in America: namely, an electronic Umwelt in which history is replaced with movies, education is replaced with entertainment, and nature is replaced with technology. This peculiar wedding of low kitsch and high tech generates a posthistoric world that no European literary intellectual can quite fathom.
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In the shift from direct democracy to representational democracy, the printed book became an embodiment of thought for the physically absent author; and so the popular art form of the popular book and the pamphlet re-presented ideas and contributed to the public space of political philosophies of the Enlightenment. Television, however, now brings forth this new kind of public space, and it calls into being this new world, not of the educated citizenry in a republic, but of the electropeasantry in the state of Entertainment. Recall how people stopped singing in pubs when they brought in the TV set, and you will appreciate the new passivity in which people stop voting for their representatives as TV takes over the electoral campaigns.
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In the domain of cops and robbers, an interdiction serves to structure a black market and a shadow economy.
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Ideologies do not map the complete living processes of a World.
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That shoreline where the island of knowing meets the unfathomable sea of our own being is the landscape of myth.
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What is at the higher levels of meaning consciousness is like a hyperspace in which each point is equidistant from the other and where 'the center is everywhere and the circumference is nowhere'? The mythologies of the occult seem like baroque music: there is an overall similar quality of sound and movement, but, upon examination, each piece of music is unique; Vivaldi and Scarlatti are similar and different.
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Idealistic reformers are dangerous because their idealism has no roots in love, but is simply a hysterical and unbalanced rage for order amidst their own chaos.
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Like a shadow that does not permit us to jump over it, but moves with us to maintain its proper distance, pollution is nature's answer to culture. When we have learned to recycle pollution into potent information, we will have passed over completely into the new cultural ecology.
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The teacher of history's work should be, ideally, not simply a description of past cultures, but a performance of the culture in which we live and are increasingly taking our being.
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The more chaos there is, the more science holds on to abstract systems of control, and the more chaos is engendered.
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A World is not an ideology nor a scientific institution, nor is it even a system of ideologies; rather, it is a structure of unconscious relations and symbiotic processes.
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Catastrophes are often stimulated by the failure to feel the emergence of a domain, and so what cannot be felt in the imagination is experienced as embodied sensation in the catastrophe.
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But the time has come; the revelation has already occurred, and the guardian seers have seen the lightning strike the darkness we call reality. And now we sleep in the brief interval between the lightning and the thunder.
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I don't think anyone now really understands the planetisation of mankind, really understands the new world order emerging through all this period of strain and pain and contradiction, so more than ever, we need to have an internal sense of navigation.