Edgard Varese Quotes

Edgard Varese's page feels like a bold call for fresh musical ideas, perfect for anyone curious about art and sound.

17 quotes

  1. Our musical alphabet is poor and illogical. Music, which should pulsate with life, needs new means of expression, and science alone can infuse it with youthful vigor. Why, Italian Futurists, have you slavishly reproduced only what is commonplace and boring in the bustle of our daily lives. I dream of instruments obedient to my thought and which with their contribution of a whole new world of unsuspected sounds, will lend themselves to the exigencies of my inner rhythm.

  2. There is an idea, the basis of an internal structure, expanded and split into different shapes or groups of sound constantly changing in shape, direction, and speed, attracted and repulsed by various forces. The form of the work is a consequence of this interaction. Possible musical forms are as limitless as the exterior forms of crystals.

  3. I was not influenced by composers as much as by natural objects and physical phenomena. As a child, I was tremendously impressed by the qualities and character of the granite I found in Burgundy, where I often visited my grandfather...So I was always in touch with things of stone and with this kind of pure structural architecture--without frills or unnecessary decoration. All of this became an integral part of my thinking at a very early stage.

  4. Music is organized sound.

  5. The present day composer refuses to die!

  6. No matter how consummate a work of art may seem, it is only an approximation of the original conception. It is the artist's consciousness of this discrepancy between his conception and the realization that assures his progress.

  7. There are two infinities: God and stupidity.

  8. I rather like a certain clumsiness in a work of art.

  9. Men set themselves a goal, and having attained it, are satisfied and grow paunches. In their complacency they forget that their only future is now death.

  10. Everyone is born with genius, but most people only keep it a few minutes.

  11. Music, which should pulsate with life, needs new means of expression, and science alone can infuse it with youthful vigor.

  12. In every domain of art, a work that corresponds to the need of its day carries a message of social and cultural value. It is the artist who crystallizes his age ... who fixes his time in history.

  13. I dream of instruments obedient to my thought and which with their contribution of a whole new world of unsuspected sounds, will lend themselves to the exigencies of my inner rhythm.

  14. I have just begun a work in which an important part is given to a large chorus and with it I want to use several of your instruments - augmenting their range as in those I used for my Equatorial - especially in the high range.

  15. I do not write experimental music. My experimenting is done before I make the music. Afterwards it is the listener who must experiment.

  16. Of all the arts, music is the one communal art. It requires for its existence extensive cooperation and organization...Singing together the greatest choral music of all time is the surest way of developing in a community that sense of quality and reverence for beauty, which is the basis of a musical culture...Entertainment has its place in life just as candies and cocktails have, but health is not built on such a diet alone, nor culture exclusively on amusement.

  17. A work of art must make the rules: rules do not make a work of art...I tell people I am not a musician; I work with rhythms, frequencies and intensities...tunes are merely the gossips of music.