'If the listener does eventually come to the point where he makes the ultimate performance by splicing tapes from other musicians' recordings, he will eventually become just as bored with it as with other recordings, for it will still always be the same. Look, for instance, at electronic music. The boys are already becoming bored with what they do because they put it irrevocably on tape. The best indication of this is that more and more they are mixing the live performance element with their tapes.' Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812
About this quote
- What does it mean?
- Copland warns that relying on tape splicing leads to boredom, and artists are mixing live elements to counteract sameness.
- In plain terms
- Over‑reliance on recorded loops creates monotony; live elements revive interest.
- What can you take from it?
- Incorporate live improvisation to keep music fresh.
Where it applies
Putting it to work
Questions to consider
- How can you balance consistency with novelty?
- When does live addition become gimmick?
Another view
Live elements may not always be feasible or desired.
More from Aaron Copland
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Permalink to quote #4 'For me, the most important thing is the element of chance that is built into a live performance. The very great drawback of recorded sound is the fact that it…
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