Could we bring ourselves to feel what the first spectators of an Egyptian statue, or a Romanesque crucifixion, felt, we would make haste to remove them from the Louvre. True, we are trying more and more to gauge the feelings of those first spectators, but without forgetting our own, and we can be contented all the more easily with the mere knowledge of the former, without experiencing them, because all we wish to do is put this knowledge to the work of art.
About this quote
- What does it mean?
- To truly appreciate art, we should feel what original viewers felt, yet we often prefer knowing their feelings over experiencing them.
- In plain terms
- We prefer knowing historical feelings over feeling them ourselves.
- What can you take from it?
- Experience art emotionally, not just intellectually.
Where it applies
Putting it to work
Questions to consider
- Do you seek emotion or facts in art?
- How do you view museum pieces?
Another view
Historical context may not match modern experiences.
More from Andre Malraux
Il n'y a pas cinquante manieres de combattre, il n'y en a qu'une, c'est d'etre vainqueur. Ni la revolution ni la guerre ne consistent a se plaire a soi-meme.
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Permalink to quote #13 One cannot create an art that speaks to me when one has nothing to say.
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