You advise me, too, not to stray far from the ground of experience, as I become weak when I enter the region of fiction; and you say, 'real experience is perennially interesting, and to all men.' I feel that this also is true; but, dear Sir, is not the real experience of each individual very limited? And, if a writer dwells upon that solely or principally, is he not in danger of repeating himself, and also of becoming an egotist? Then, too, imagination is a strong, restless faculty, which claims to be heard and exercised: are we to be quite deaf to her cry, and insensate to her struggles? When she shows us bright pictures, are we never to look at them, and try to reproduce them? And when she is eloquent, and speaks rapidly and urgently in our ear, are we not to write to her dictation?
About this quote
- What does it mean?
- The writer argues that while experience is valuable, relying on it alone limits creativity, and imagination must be exercised to avoid repetition and stagnation.
- In plain terms
- Real life is good, but writers also need imagination to stay fresh and original.
- What can you take from it?
- Balance real experience with imagination to avoid artistic stagnation.
Where it applies
Putting it to work
Questions to consider
- How do you balance fact and fiction?
- Is imagination more important than experience?
Another view
Prioritizing imagination can sometimes lead to disconnect from reality.
More from Charlotte Bronte
Novelists should never allow themselves to weary of the study of real life.
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