America's first great surrealist artists were named Walt Disney, Max Fleischer, and Tex Avery. Their artistic medium was cartoon animation, though we must remember that cartoons of this era were seen not only by children but by a mixed audience, consisting mainly of adults. These men took - quite literally - the principles of surrealism and turned them into mass entertainment. As Fleischer's scantily clad Betty Boop ran through a phantasmagoric underground landscape to the driving beat of Cab Calloway's 'Minnie the Moocher,' moviegoers of the Thirties saw surrealist dream-logic unfold more powerfully than in any experimental poem created in Greenwich Village. To this day the greatest moment of North American surrealism is probably Dumbo's drunken nightmare choreographed to the demonic oom-pah-pah of 'Pink Elephants on Parade' from Walt Disney's 1941 movie. When the surrealist style was so quickly assimilated into mass-media comedy, what avant-garde poet could consider it sufficiently chic?
About this quote
- What does it mean?
- Gioia highlights early animation as surrealism that reached broader audiences than experimental poetry, citing specific examples.
- In plain terms
- Early cartoons brought surrealism to adults just as well as experimental poems.
- What can you take from it?
- Recognize popular media as legitimate surrealism.
Where it applies
Putting it to work
Questions to consider
- What counts as surrealism?
- How does medium affect art?
Another view
Experimental poetry may still hold unique literary value outside animation.
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