27 Donna Tartt Quotes on Writing

Donna Tartt quotes on writing

1. Actually, I enjoy the process of writing a big long novel.

2. Anyway, it gets into one's blood, this long lonely way of writing, like a long sea-voyage.

3. But it's for every writer to decide his own pace, and the pace varies with the writer and the work.

5. Character, to me, is the life's blood of fiction.

10. For a novelist to create character, I think, takes a sharp objective eye but also an intuitive intelligence, a receptiveness, a wilingness to make oneself blank in order to percieve things as they actually are.

13. I love the tradition of Dickens, where even the most minor walk-on characters are twitching and particular and alive.

14. I really do work in solitude.

16. I think it's hard to write about children and to have an idea of innocence.

17. I'd rather write one good book than ten mediocre ones.

18. I'm not so interested in the act of murder as in the echoes and repercussions of the act, and how they play out over time.

20. I've written only two novels, but they're both long ones, and they each took a decade to write.

21. In order for a long piece of work to engage a novelist over an extended period of time, it has to deal with questions that you find very important, that you're trying to work out.

24. It's hard for me to show work while I'm writing, because other people's comments will influence what happens.

25. It's interesting when a book comes to you. It comes to you in sort of flashes and you don't quite understand how they connect.

26. My novels aren't really generated by a single conceptual spark; it's more a process of many different elements that come together unexpectedly over a long period of time.

27. On the other hand, I mean, that is what writers have always been supposed to do, was to rely on their own devices and to--I mean, writing is a lonely business.

28. People always want to call me a Southern writer but though I grew up in the South, I don't feel that the label quite fits my work.

29. So I'm not a Southern writer in the commonly held sense of the term, like Faulkner or Eudora Welty, who took the South for their entire literary environment and subject matter.

31. Storytelling and elegant style don't always go hand in hand.

32. Taking on challenging projects is the way that one grows and extends one's range as a writer, one's technical command, so I consider the time well-spent.

34. The job of the novelist is to invent: to embroider, to color, to embellish, to entertain, to make things up. The art of what I do lies not in research or even recollection but primarily in invention.

35. The storytelling gift is innate: one has it or one doesn't. But style is at least partly a learned thing: one refines it by looking and listening and reading and practice - by work.

39. Well, a novel does acquire a certain kind of richness when you work on it for a long time that can't really be faked.

40. Well, I didn't know any snake-handling ministers.

41. Well, I'm not interested in murder so much in the aspects of, you know, sleuthing and detection and that sort of thing. I'm much more interested in the echoes and repercussions of the act through time.

42. When I'm writing, I am concentrating almost wholly on concrete detail: the color a room is painted, the way a drop of water rolls off a wet leaf after a rain.

43. You are - all your experience just kind of accumulates, and the novel takes a richness of its own simply because it has the weight of all those years that one's put into it.