Francine Prose Quotes
Francine Prose offers sharp, witty takes on literature and power, perfect for anyone who enjoys clever, critical humor.
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You can assume that if a writer's work has survived for centuries, there are reasons why this is so, explanations that have nothing to do with a conspiracy of academics plotting to resuscitate a zombie army of dead white males.
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With this recitation of paraphernalia and detritus, O'Brien manages to encapsulate the experience of an army and of a particular war, of a mined and booby-trapped landscape, of cold nights and hot days, of soaking monsoons and rice paddies, and of the possibility of being shot, like Ted Lavender, suddenly and out of nowhere: not only in the middle of a sentence but in the midst of a subordinate clause.
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I went through college in the 1960s without having any idea that I was going to have to make a living. When I graduated in 1968 it was quite a shock to find out that there was a world out there and that it wasn't going to support me.
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All the elements of good writing depend on the writer's skill in choosing one word instead of another.
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I know a lot of Eastern Europeans, and because of what they have been through and what they have seen, they have an attitude where they are not easily fooled.
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Like seeing a photograph of yourself as a child, encountering handwriting that you know was once yours but that now seems only dimly familiar can inspire a confrontation with the mystery of time.
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'One Hundred Years of Solitude' convinced me to drop out of Harvard graduate school. The novel reminded me of everything my Ph.D. program was trying to make me forget. Thank you, Gabriel Garcia Marquez.
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Words are the raw material out of which literature is crafted.
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I waited for dawn, but only because I had forgotten how hard mornings were. For a second I'd be normal. Then came the dim awareness of something off, out of place. Then the truth came crashing down and that was it for the rest of the day. Sunlight was reproof. Shouldn't I feel better than I had in the dead of night.
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Too often students are being taught to read as if literature were some kind of ethics class or civics class—or worse, some kind of self-help manual. In fact, the important thing is the way the writer uses the language.
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Fact-checking is so boring compared to writing fiction.
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If things are going well I can easily spend twelve hours a day writing, but not writing writing, just thinking and revising and taking a comma out and putting it back in.
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When we humans speak, we are not merely communicating information but attempting to make an impression and achieve a goal.
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What’s strange is how many beginning writers seem to think that grammar is irrelevant, or that they are somehow above or beyond this subject more fit for a schoolchild than the future author of great literature.