Heath Ledger Quotes on Acting
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I love acting. Oh, God, I love it. But all this fame and all this bullshit attention. I'm not supernatural. I've done nothing extremely special to deserve the position. It happens every couple of years, and it's happened to hundreds of people before me.
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I'm the worst auditioner, really, really bad. I mean, you're being judged and I'm just so aware of it that it consumes me. I can't relax, I'm tied in knots, so the voice is very taut and tense. You're so aware that you're acting 'cause you're sitting across from this lady with a piece of paper who's going, I'm. Going. To. Shoot. You. If. You. Don't. Blah, blah, blah, in this emotionless voice. It's foul. I hate it.
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I don't have a technique. I've never been a believer in having one set technique on how to act. There are no rules and there is no rulebook. At the end of the day, it all comes down to my instincts. That's the one thing that guides me through every decision professionally. Socially, also. That's my technique. Yeah, you read through the script 100 times. I guess I have little characteristics about myself. Sometimes, most often than not, once we start shooting I won't look at the script at all until we finished shooting. It's kind of like it's been imprinted in my head during rehearsals. You just let it go.
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You know when you see the preachers down South? And they grab a believer and they go, 'Bwoom! I touch you with the hand of God!' And they believe so strongly, they're on the ground shaking and spitting. And fuck's sake, that's the power of belief. Now, I don't believe in Jesus, but I believe in my performance. And if you can understand that the power of belief is one of the great tools of our time and that a lot of acting comes from it, you can do anything.
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I actually hate comic book movies, like fucking hate them, they just bore me shitless and they're just dumb. But I thought what Chris Nolan did with Batman was actually really good, really well directed, and Christian Bale was really great in it.
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Between the choreographers and me, we kind of played with it. We wanted a bit of Gene Kelly and Fred Astaire influence. It was totally choreographed and then I just made it sloppy.
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The challenge was to capture the stillness of him. I have kind of semi-frantic, nervous energy. Harnessing that was something I thought I'd have to work out. Shooting in the wilderness, the stillness became like this innate quality.
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The Joker, so far, is definitely the most fun I've had with any character. He's just out of control - no empathy, he's a sociopath, uh, a psychotic, mass-murdering clown. And, uh, I'm just thoroughly, thoroughly enjoying it. It's just exceeded any expectations I had of what the experience would be like.
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I think Heath has a natural screen presence, he has a focus that distinguishes him from a lot of young actors. There's a depth and intelligence that is operating that's not only there, but also focused into what he is doing, being clear in what the role is, about what he's trying to achieve with it, this brings a balance with the other cast who are considerably more experienced than him in most cases, that's very important for the story to work. Without that, we would lose center, he brings that focus.
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He's awesome! He's really, really charming, sexy, and just himself and natural, and he made it very easy for me to work with him.
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It was a very great challenge for Heath. He's extremely original, extremely frightening, tremendously edgy. A very young character, a very anarchic presence that taps into a lot of our basic fears and panic.
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He was a captivating person. [His] performance in Brokeback Mountain is beautiful. Every time you saw that guy on screen you just wanted to watch him. And it's sad, just sad that he's gone. Too young. Too young.