Quote #36
For myself I would say that more than the interest and uses of the study of Welsh as an adminicle of English philology, more than the practical linguist's desire to acquire a knowledge of Welsh for the enlargement of his experience, more even than the interest and worth of the literature, older and newer, that is preserved in it, these two things seem important: Welsh is of this soil, this island, the senior language of the men of Britain; and Welsh is beautiful. I will not attempt to say now what I mean by calling a language as a whole 'beautiful,' nor in what ways Welsh seems to me beautiful; for the mere recording of a person and if you will subjective perception of strong aesthetic pleasure in contact with Welsh, heard or read, is sufficient for my conclusion. The basic pleasure in the phonetic elements of a language and in the style of their patterns, and then in a higher dimension, pleasure in the association of these word-forms with meanings, is of fundamental importance. This pleasure is quite distinct from the practical knowledge of a language, and not the same as an analytic understanding of its structure. It is simpler, deeper-rooted, and yet more immediate than the enjoyment of literature. Thought it may be allied to some of the elements in the appreciation of verse, it does not need any poets, other than the nameless artists who composed the language. It can be strongly felt in the simple contemplation of vocabulary, or even in a string of names. ... The nature of this *pleasure* is difficult, perhaps impossible, to analyse. It cannot, of course, be discovered by structural analysis. No analysis will make one either like or dislike a language, even if it make more precise some of the features of style that are pleasing or distasteful. The pleasure is possibly felt most strongly in the study of a 'foreign' or second-learned language; but if so that may be attributed to two things: the learner meets in the other language desirable features that his own first-learned speech has denied to him; and in any case he escapes from the dulling of usage, especially inattentive usage.