Jared Logan Quotes
Jared Logan delivers a wry, almost sarcastic view on toys, accessibility and design that will make you grin while questioning how hard things are.
-
The Etch a Sketch is the toy for drawing that makes drawing almost impossible. It simulates what drawing would be like if you had crippling arthritis.
-
Working on 'Skyfall' was the most enjoyable experience I've ever had on a movie, ever.
-
I grew up on the Bond movies. The first one I saw was 'Diamonds Are Forever,' when I was a kid. I just loved them to pieces.
-
The history of screenwriting - of what we do - is more than 100 years old. It's thousands of years old, going back to Sophocles and Euripedes. I believe the only - the only - separation for being a dramatist is reading drama.
-
The themes, ideas and the characters from 'Skyfall' can obviously continue on, because it is a franchise, and it is an ongoing story.
-
Cinema is a visual language, and you're always looking for visual metaphors for things. You know, if I was writing a play about Howard Hughes, I could have him give a monologue about how he's terrified to touch a doorknob. But on screen, you know, working with Marty Scorsese in 'The Aviator,' that became the series of images that told a story.
-
Young screenwriters are always very frustrated when they talk to me. They say, 'How do we get to be a screenwriter?' I say, 'You know what you do? I'll tell you the secret, it's easy: Read 'Hamlet.' You know? Then read it again, and read it again, and read it until you understand it. Read 'King Lear,' and then read 'Othello.'
-
Whether you're writing a horror show or a James Bond film, I think what bubbles beneath is interesting characterization. The colors that emerge through storytelling is what a dramatist does. There's always got to be something bubbling underneath that will erupt at some point.
-
I love novels, but I'm not a novelist. I'm just a dramatist, which means I write lines for actors. That's all I have ever wanted to do.
-
If you look at the muscularity of something like 'Wicked' and the way it has just spawned sort of generations of young people wanting to get involved in the theatre - it's brilliant.
-
Realistically, it's the great truism that screenwriters are fungible, that at the end of the day a studio is not going to want to fire a movie star. And they're really not going to want to fire a star director because the director has the hand on the tiller of a ship.
-
'Coriolanus' has been around for 400 years, and it's going to be around for another 400 years, and nothing I can do is going to mess it up. So, going into it, I felt sort of very free to look at it as a filmmaker does.
-
We wanted 'Hugo' to be a cornucopia of cinema, a celebration of everything we do in movies.