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John Osborne spoke out in a vein of ebullient, free-wheeling rancour that betokened the arrival of something new in the theatre - a sophisticated, articulate lower-class. Most of the critics were offended by Jimmy Porter, but not on account of his anger; a working-class hero is expected to be angry. What nettled them was something quite different: his self-confidence. This was no envious inferior whose insecurity they could pity.

John Osborne#8

ClassCriticismCultureTheatre

About this quote

What does it mean?
Osborne notes that the new theatre style features a confident working‑class hero, which unsettles critics more than his anger.
In plain terms
Critics were upset by the hero's confidence, not his anger.
What can you take from it?
Confidence can be more threatening than overt anger.

Where it applies

  • critical reception
  • character analysis

Putting it to work

  • write about class dynamics
  • examine audience reactions

Questions to consider

  • Why does confidence provoke discomfort?
  • How does class shape audience expectations?

Another view

The analysis may overlook other factors influencing critics.

More from John Osborne

  1. Archie Rice: Let me know where you're working tomorrow night and I'll come and see you.

    Permalink to quote #7
  2. Archie Rice: I'm dead behind these eyes. I'm dead, just like the whole inert, shoddy lot out there. It doesn't matter because I don't feel a thing, and neither…

    Permalink to quote #6
  3. Archie Rice: Don't clap too hard - it's a very old building.

    Permalink to quote #5

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