It's important to me that I don't get trapped in the whole teen scene because I feel that you can get lost in those kind of movies, and they aren't really about the actors; they're about the selling of the concept, and how much money it makes. So I just try to choose the scripts that have the best characters for myself, or would be the most challenging, or fun.
About this quote
- What does it mean?
- Dunst avoids teen movies that prioritize selling concepts over characters, choosing scripts that offer challenges.
- In plain terms
- I avoid teen films focused on money and pick scripts with strong characters.
- What can you take from it?
- Prioritize character depth and challenge over marketability.
Where it applies
Putting it to work
Questions to consider
- Can an actor avoid commercial films entirely?
Another view
Commercial success often funds the artistic projects actors care about.
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