6 Luciano Berio Quotes
Luciano Berio offers a thoughtful look at art, music and theory for anyone curious about creative ideas.
Luciano Berio quotes
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Any attempt to codify musical reality into a kind of imitation grammar (I refer mainly to the efforts associated with the Twelve-Tone System) is a brand of fetishism which shares with Fascism and racism the tendency to reduce live processes to immobile, labeled objects, the tendency to deal with formalities rather than substance. Claude Levi-Strauss describes (though to illustrate a different point) a captain at sea, his ship reduced to a frail raft without sails, who, by enforcing a meticulous protocol on his crew, is able to distract them from nostalgia for a safe harbor and from the desire for a destination.
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Alas, this industrialized twelve-tone horse, dull on the outside and empty inside, constantly being perfected and dragged to a new Troy in shadow of an ideological war long since fought and won by responsible minds like Schoenberg, with neither systems nor scholarship for armor!
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Music is everything that one listens to with the intention of listening to music.
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Also attributed
Opera once was an important social instrument - especially in Italy. With Rossini and Verdi, people were listening to opera together and having the same catharsis with the same story, the same moral dilemmas. They were holding hands in the darkness. That has gone. Now perhaps they are holding hands watching television.
The relation between practical and spiritual spheres in music is obvious, if only because it demands ears, finger, consciousness and intellect.
In music, as I find myself forever saying, things don't get better or worse: they evolve and transform themselves.