27 Lytton Strachey Quotes
Lytton Strachey writes analytical, slightly sardonic takes on biography and morality, ideal for readers who appreciate a clear, no-fluff look at lives.
Lytton Strachey quotes
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[His reply to the chairman's other stock question, which had previously never failed to embarrass the claimant: 'Tell me, Mr. Strachey, what would you do if you saw a German soldier trying to violate your sister?' With an air of noble virtue:] 'I would try to get between them.'
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If this is dying, then I don't think much of it.
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The history of the Victorian Age will never be written: we know too much about it. For ignorance is the first requisite of the historian - ignorance, which simplifies and clarifies, which selects and omits, with a placid perfection unattainable by the highest art.
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It is perhaps as difficult to write a good life as to live one.
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It is not [the biographer's] business to be complimentary; it is his business to lay bare the facts of the case, as he understands them...dispassionately, impartially, and without ulterior motives.
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His style is perfect joy, and it is only when one has come across a fairer and kindlier handling of one of his victims that one is resentful of his tittering.
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One observed a number of discordant features - a feminine sensibility, a delight in the absurd, a taste for exaggeration and melodrama, a very mature judgement and then some lack of human substance, some hereditary thinness in the blood that at times gave people who met him an odd feeling in the spine. He seemed almost indecently lacking in ordinariness.
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Pass a person through your mind, with all the documents, and see what comes out. That seems to be your method. Also, choose them, in the first place, because you dislike them.
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To mark a man's faults and failings was, for Johnson, to indicate where he had diverged from his true relation to God; for Strachey it was an agreeable intellectual pastime, which flattered his sense of superiority both to his subject and to the illusion-ridden mob.
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Also attributed
With a very few exceptions, every word in the French vocabulary comes straight from the Latin.
Unlike the majority of the writers of his age, La Rochefoucauld was an aristocrat; and this fact gives a peculiar tone to his work.
When the French nation gradually came into existence among the ruins of the Roman civilization in Gaul, a new language was at the same time slowly evolved.
Perhaps of all the creations of man language is the most astonishing.
Though, with the ascendancy of Louis, the political power of the nobles finally came to an end, France remained, in the whole complexion of her social life, completely aristocratic.
The old interests of aristocracy - the romance of action, the exalted passions of chivalry and war - faded into the background, and their place was taken by the refined and intimate pursuits of peace and civilization.
English dramatic literature is, of course, dominated by Shakespeare; and it is almost inevitable that an English reader should measure the value of other poetic drama by the standards which Shakespeare has already implanted in his mind.
How far the existence of the Academy has influenced French literature, either for good or for evil, is an extremely dubious question.
Discretion is not the better part of biography.
There is something dark and wintry about the atmosphere of the later Middle Ages.
Modern as the style of Pascal's writing is, his thought is deeply impregnated with the spirit of the Middle Ages. He belonged, almost equally, to the future and to the past.
Englishmen have always loved Moliere.
During this earlier period of his activity Voltaire seems to have been trying - half unconsciously, perhaps - to discover and to express the fundamental quality of his genius.
In pure literature, the writers of the eighteenth century achieved, indeed, many triumphs; but their great, their peculiar, triumphs were in the domain of thought.
Human beings are too important to be treated as mere symptoms of the past. They have a value which is independent of any temporal process──which is eternal, and must be felt for its own sake.
In sheer genius Pascal ranks among the very greatest writers who have lived upon this earth. And his genius was not simply artistic; it displayed itself no less in his character and in the quality of his thought.
There are a great deal of a great many kinds of love.
When Louis XIV assumed the reins of government France suddenly and wonderfully came to her maturity; it was as if the whole nation had burst into splendid flower.