The one good thing to be said about announcing yourself as a writer in the colonial Canadian fifties is that nobody told me I couldn't do it because I was a girl. They simply found the entire proposition ridiculous. Writers were dead and English, or else extremely elderly and American; they were not sixteen years old and Canadian. It would have been worse if I'd been a boy, though. Never mind the fact that all the really stirring poems I'd read at that time had been about slaughter, mayhem, sex and death - poetry was thought of as existing in the pastel female realm, along with embroidery and flower arranging. If I'd been male I would probably have had to roll around in the mud, in some boring skirmish over whether or not I was a sissy.
About this quote
- What does it mean?
- She notes that being a young female writer in 1950s Canada was dismissed as absurd, while male writers were expected to be older and foreign.
- In plain terms
- Young Canadian women writers were seen as ridiculous, men as outsiders.
- What can you take from it?
- Cultural stereotypes can limit who is taken seriously in literature.
Where it applies
Putting it to work
Questions to consider
- What stereotypes still affect writers today?
- How can we broaden literary acceptance?
Another view
Modern publishing is more open, though biases persist.
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