Sometimes it is hard to criticize, one wants only to chronicle. The good and mediocre books come in from week to week, and I put them aside and read them and think of what to say; but the 'worthless' books come in day after day, like the cries and truck sounds from the street, and there is nothing that anyone could think of that is good enough for them. In the bad type of thin pamphlets, in hand-set lines on imported paper, people's hard lives and hopeless ambitions have expressed themselves more directly and heartbreakingly than they have ever expressed in any work of art: it is as if the writers had sent you their ripped-out arms and legs, with 'This is a poem' scrawled on them in lipstick. After a while one is embarrassed not so much for them as for poetry, which is for these poor poets one more of the openings against which everyone in the end beats his brains out; and one finds it unbearable that poetry should be so hard to write - a game of Pin the Tail on the Donkey in which there is for most of the players no tail, no donkey, not even a booby prize.
About this quote
- What does it mean?
- The desperate and flawed attempts at art by ordinary people can be more moving than polished works.
- In plain terms
- Bad art from hard lives often shows raw pain more honestly than great art.
- What can you take from it?
- Value the raw emotion in amateur expression over polished art.
Where it applies
Putting it to work
Questions to consider
- What makes art valuable?
- How do you judge poetry?
Another view
Not all amateur work is meaningful.
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