Going to see Godzilla at the Palais of the Cannes Film Festival is like attending a satanic ritual in St. Peter's Basilica. It's a rebuke to the faith that the building represents. Cannes touchingly adheres to a belief that film can be intelligent, moving and grand. Godzilla is a big, ugly, ungainly device to give teenagers the impression they are seeing a movie. It was the festival's closing film, coming at the end like the horses in a parade, perhaps for the same reason.
About this quote
- What does it mean?
- Ebert argues screening Godzilla at Cannes is disrespectful to the festival's artistic standards.
- In plain terms
- Godzilla does not belong at an art film festival.
- What can you take from it?
- Commercial products often clash with artistic prestige.
Where it applies
Putting it to work
Questions to consider
- Who decides what fits at a film festival?
- Is genre inherently less artistic?
Another view
Popcorn films can still have artistic merit or cultural value.
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