I should like to take the wind and water and sand as a motif and work with them, but it has to be simplified in most cases to colour and force lines, just as music has done with sound.
You get to the point where you can feel a certain sensation of light.
There's no such thing as abstraction, it is extraction, gravitation and minding your own business.
I should like to take the wind and water and sand as a motif and work with them, but it has to be simplified in most cases to colour and force lines, just as music has done with sound.