'Even the most, 'emotive' view of music has to 'be' emotive 'about something distinct', which necessarily involves having a 'theory' about it, for better or worse, in awareness or unawareness, and that a 'musical' something distinct can be cognitively understood as an 'emotional experience' only insofar as it is first cognitively understood as a human-communicative manifestation, as an 'instance of thought'.

'Even discourse which does not acknowledge 'musical coherence' as 'intellectual communication' does not in fact succeed in treating it as anything else; it is …

'The very being of music is created by cognitive attributions made by individual perceiving or conceiving imaginers, in individual acts of perceiving or concei…

'...Do I have to tell you about the spiritual cannibalism of the culture, our culture, which has been bombarding us with ultrasensory overstimulation aiming to…