There is an idea, the basis of an internal structure, expanded and split into different shapes or groups of sound constantly changing in shape, direction, and speed, attracted and repulsed by various forces. The form of the work is a consequence of this interaction. Possible musical forms are as limitless as the exterior forms of crystals.
About this quote
- What does it mean?
- Varese describes musical form as arising from sound interactions like crystals.
- In plain terms
- He sees form as the result of changing sounds and forces.
- What can you take from it?
- Form emerges from dynamic sound interactions.
Where it applies
Putting it to work
Questions to consider
- What creates form in music?
- How do sounds interact?
Another view
Musical form often involves more than physical forces.
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