Gore Vidal Quotes on Gore vidal
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Apparently, a concern for others is self-love at its least attractive, while greed is now a sign of the higher altruism. But then to reverse, periodically, the meanings of words is a very small price to pay for the freedom not only to conform but to consume.
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I shared, naturally, in that hatred of organized labor which has been the one political constant in my lifetime, culminating in Ronald Reagan's most popular gesture, the smashing of the air-controllers' union. No alternative view of organized labor has ever come to us through the popular media. If labor leaders were not crooks like Jimmy Hoffa, they were in the pay of Moscow.
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It is notable how little empathy is cultivated or valued in our society. I put this down to our traditional racism and obsessive sectarianism. Even so, one would think that we would be encouraged to project ourselves into the character of someone of a different race or class, if only to be able to control him. But no effort is made.
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By and large, serious fiction was the work of victims who portrayed victims for an audience of victims who, it was oddly assumed, would want to see their lives realistically portrayed.
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Every four years the naive half who vote are encouraged to believe that if we can elect a really nice man or woman President everything will be all right. But it won't be. Any individual who is able to raise $25 million to be considered presidential is not going to be much use to the people at large. He will represent oil, or aerospace, or banking, or whatever moneyed entities are paying for him. Certainly he will never represent the people of the country, and they know it. Hence, the sense of despair throughout the land as incomes fall, businesses fail and there is no redress.
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As societies grow decadent, the language grows decadent, too. Words are used to disguise, not to illuminate, action: you liberate a city by destroying it. Words are to confuse, so that at election time people will solemnly vote against their own interests.
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I have begun writing what I have said I'd never write, a memoir ('I am not my own subject,' I used to say with icy superiority). [1]
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Anais Nin gave me my most original, or so I thought, creation. As I read Incest, I realized that something which I had always taken to be unique, the voice of Myra Breckinridge, was actually that of Anais in all the flowing megalomania of the diaries. Of course, I had not read the diaries then, but even so, if only for that one thundering voice, I am forever in her debt.
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I used to be able to summon up scenes at will, but now aging memory is so busy weeding its own garden that, promiscuously, it pulls up roses as well as crabgrass.
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Celebrities are invariably celebrity-mad, just as liars always believe liars.