My colour has no symbolic function whatever. I don't want any colour to be noticeable. I want the colour to be the colour of life, so that you would notice it as being irregular if it changed. I don't want it to operate in the modernist sense as colour, something independent. I don't want people to say, 'Oh, what was that red or that blue picture of yours, I've forgotten what it was.'

I always felt that my work hadn't much to do with art; my admirations for other art had very little room to show themselves in my work because I hoped that if …

When I look at a body I know it gives me choices of what to put in a painting; what will suit me and what won't. There is a distinction between fact and truth.…

I am only interested in painting the actual person; in doing a painting of them, not in using them to some ulterior end of art. For me, to use someone doing so…