14 Novalis Quotes on Poetry

Novalis quotes on poetry

2. I was still blind, but twinkling stars did dance Throughout my being's limitless expanse, Nothing had yet drawn close, only at distant stages I found myself, a mere suggestion sensed in past and future ages.

22. The normal present connects the past and the future through limitation. Contiguity results, crystallization by means of solidification. There also exists, however, a spiritual present that identifies past and future through dissolution, and this mixture is the element, the atmosphere of the poet.

42. The rude, discursive Thinker is the Scholastic (Schoolman Logician). The true Scholastic is a mystical Subtlist; out of logical Atoms he builds his Universe; he annihilates all living Nature, to put an Artifice of Thoughts (Gedankenkunststuck, literally Conjuror's-trick of Thoughts) in its room. His aim is an infinite Automaton. Opposite to him is the rude, intuitive Poet: this is a mystical Macrologist: he hates rules and fixed form; a wild, violent life reigns instead of it in Nature; all is animate, no law; wilfulness and wonder everywhere. He is merely dynamical. Thus does the Philosophic Spirit arise at first, in altogether separate masses. In the second stage of culture these masses begin to come in contact, multifariously enough; and, as in the union of infinite Extremes, the Finite, the Limited arises, so here also arise 'Eclectic Philosophers' without number; the time of misunderstanding begins. The most limited is, in this stage, the most important, the purest Philosopher of the second stage. This class occupies itself wholly with the actual, present world, in the strictest sense. The Philosophers of the first class look down with contempt on those of the second; say, they are a little of everything, and so nothing; hold their views as the results of weakness, as Inconsequentism. On the contrary, the second class, in their turn, pity the first; lay the blame on their visionary enthusiasm, which they say is absurd, even to insanity.

60. Plants are Children of the Earth; we are Children of the ?ther. Our Lungs are properly our Root; we live, when we breathe; we begin our life with breathing.

68. The spirit of Poesy is the morning light, which makes the Statue of Memnon sound.

69. The division of Philosopher and Poet is only apparent, and to the disadvantage of both. It is a sign of disease, and of a sickly constitution.

70. The true Poet is all-knowing; he is an actual world in miniature.

76. Apprenticeship suits the novice poet - academic study the novice philosopher.

81. Nature is incomprehensible per se. Stillness and formed incomprehensibility. Philosophy is prose. Her consonants. Distant philosophy sounds like poesy - because every call into the distance becomes a vowel. So everything at a distance becomes poesy - poem.

84. Poetry heals the wounds inflicted by reason.

87. The more poetic, the more real. This is the core of my philosophy.

92. Novalis has been, and remains, one of the most vital influences in German literature; the modern mystics: Maeterlinck, Herman Hesse and Rilke (often considered the greatest poet of the twentieth century) admit a great debt to him. ... Novalis expresses himself in a unique, personal style, almost as if he has discovered language by himself. ... Novalis himself wrote that he felt it necessary to develop a symbolic philosophical language for the purpose of protecting his deepest insights from those incapable of respecting them. In this he has not been alone - if we look at the words of the Sufis we often find mystical concepts veiled in poetic terms. ... The principle mode of concealment is the use of imagery. Images are used to veil meaning, but for those who share Novalis' love of symbolic imagery and subtle metaphor his language is a veil that enhances, rather than conceals, the beauty of his art. This use of concrete, palpable images overcame, to some extent, what he described as the 'poverty of words'; and avoided the use of philosophical terms to express abstract concepts. In some instances spiritual qualities are personified as characters, human or divine, as they are in Hindu mythology... Novalis is known as the originator of the central symbol of the German Romanticism, The Blue Flower; he shared in the movement's deification of Nature, the demand for the Absolute, the idea of spiritual rebirth. ... Novalis, like other poets of the period, wanted to return to the sense of the Sacred found in the humbler Medieval tradition with its great mystics such as Hildegard von Bingen and Meister Eckhart.

95. As a Poet, Novalis is no less Idealistic than as a Philosopher. His poems are breathings of a high devout soul, feeling always that here he has no home, but looking, as in clear vision, to a 'city that hath foundations.' He loves external Nature with a singular depth; nay, we might say, he reverences her, and holds unspeakable communings with her: for Nature is no longer dead, hostile Matter, but the veil and mysterious Garment of the Unseen; as it were, the Voice with which the Deity proclaims himself to man. These two qualities, -- his pure religious temper, and heartfelt love of Nature, - bring him into true poetic relation both with the spiritual and the material World, and perhaps constitute his chief worth as a Poet; for which art he seems to have originally a genuine, but no exclusive or even very decided endowment.

97. For Novalis the poetic in the world was the only genuine reality, even as the poetic spirit in man was the proof of man's divine origin. All of his poetry is concerned ultimately with revealing and celebrating the poetic spirit.