That sovereign of insufferables, Oscar Wilde has ensued with his opulence of twaddle and his penury of sense. He has mounted his hind legs and blown crass vapidities through the bowel of his neck, to the capital edification of circumjacent fools and foolesses, fooling with their foolers. He has tossed off the top of his head and uttered himself in copious overflows of ghastly bosh. The ineffable dunce has nothing to say and says it-says it with a liberal embellishment of bad delivery, embroidering it with reasonless vulgarities of attitude, gesture and attire. There never was an impostor so hateful, a blockhead so stupid, a crank so variously and offensively daft. Therefore is the she fool enamored of the feel of his tongue in her ear to tickle her understanding. The limpid and spiritless vacuity of this intellectual jelly-fish is in ludicrous contrast with the rude but robust mental activities that he came to quicken and inspire. Not only has he no thought, but no thinker. His lecture is mere vebal ditchwater-meaningingless, trite and without coherence. It lacks even the nastiness that exalts and refines his verse. Moreover, it is obviously his own; he had not even the energy and independence to steal it. And so, with a knowledge that would equip and idiot to dispute with a cast-iron dog, and eloquence to qualify him for the duties of a caller on a hog-ranche, and an imagination adequate to the conception of a tom-cat, when fired by contemplation of a fiddle-string, this consummate and star-like youth, missing everything his heaven-appointed functions and offices, wanders about, posing as a statute of himself, and, like the sun-smitten image of Memnon, emitting meaningless murmurs in the blaze of women's eyes. He makes me tired. And this gawky gowk has the divine effrontery to link his name with those of Swinburne, Rossetti and Morris-this dunghill he-hen would fly with eagles. He dares to set his tongue to the honored name of Keats. He is the leader, quoth'a, of a renaissance in art, this man who cannot draw-of a revival of letters, this man who cannot write! This little and looniest of a brotherhood of simpletons, whom the wicked wits of London, haling him dazed from his obscurity, have crowned and crucified as King of the Cranks, has accepted the distinction in stupid good faith and our foolish people take him at his word. Mr. Wilde is pinnacled upon a dazzling eminence but the earth still trembles to the dull thunder of the kicks that set him up.
About this quote
- What does it mean?
- Wilde harshly criticizes Oscar Wilde, calling his work empty, pretentious, and vulgar.
- In plain terms
- He says Wilde's writing is meaningless and overblown.
- What can you take from it?
- Overly ornate language can mask a lack of substance.
Where it applies
Putting it to work
Questions to consider
- When does style outweigh content?
- How can we spot empty rhetoric?
Another view
The rant is itself overly verbose, contradicting its point.
More from Oscar Wilde
What has Oscar in common with Art? except that he dines at our tables and picks from our platter the plums for the puddings he peddles in the provinces.
Permalink to quote #246 If, with the literate, I am Impelled to try an epigram, I never seek to take the credit; We all assume that Oscar said it.
Permalink to quote #248 From the beginning Wilde performed his life and continued to do so even after fate had taken the plot out of his hands.
Permalink to quote #245
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