There are few issues in the area of film preservation that arouse more anger than the issue of colorization. That is because it is an issue involving taste, and, to put it bluntly, anyone who can accept the idea of the colorization of black and white films has bad taste. The issue involved is so clear, and the artistic sin of colorization is so fundamentally wrong, that colorization provides a pass-fail examination. If you 'like' colorized movies, it is doubtful that you know why movies are made, or why you watch them.
About this quote
- What does it mean?
- Colorizing black‑and‑white films is a taste issue; those who like it likely don’t understand why movies are made.
- In plain terms
- Changing classic films’ colors is seen as a bad taste and shows a lack of appreciation for original art.
- What can you take from it?
- Respect original artistic intent when preserving films.
Where it applies
Putting it to work
Questions to consider
- Does colorization improve accessibility?
- Can taste be objectively judged?
Another view
Some argue colorization makes old films accessible to modern viewers.
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