I have fundamental reservations to this adaptation. First of all I would have liked to see the planet Solaris which the director unfortunately denied me as the film was to be a cinematically subdued work. And secondly - as I told Tarkovsky during one of our quarrels - he didn't make Solaris at all, he made Crime and Punishment. What we get in the film is only how this abominable Kelvin has driven poor Harey to suicide and then he has pangs of conscience which are amplified by her appearance; a strange and incomprehensible appearance. [...]
About this quote
- What does it mean?
- Lem criticizes a film adaptation for changing his original vision and focusing on human psychology instead of the alien world.
- In plain terms
- I did not like the movie because it changed my story and focused on the wrong things.
- What can you take from it?
- Artistic adaptations often lose the original creator's intent.
Where it applies
Putting it to work
Questions to consider
- Who owns a story after it is adapted?
- What matters more, book or film?
Another view
Adaptations can sometimes improve on the source material for new audiences.
More from Stanislaw Lem
Cancel me not - for what then shall remain? Abscissas some mantissas, modules, modes, A root or two, a torus and a node: The inverse of my verse, a null domain.
Permalink to quote #20 The whole sphere of cognitive and epistemological considerations was extremely important in my book and it was tightly coupled to the solaristic literature and…
Permalink to quote #22 I'll grant thee random access to my heart, Thou'lt tell me all the constants of thy love; And so we two shall all love's lemmas prove, And in our bound partiti…
Permalink to quote #19
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