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The theatre was full - crammed to its roof: royal and noble were there; palace and hotel had emptied their inmates into those tiers so thronged and so hushed. Deeply did I feel myself privileged in having a place before that stage; I longed to see a being of whose powers I had heard reports which made me conceive peculiar anticipations. I wondered if she would justify her renown: with strange curiosity, with feelings severe and austere, yet of riveted interest, I waited. She was a study of such nature as had not encountered my eyes yet: a great and new planet she was: but in what shape? I waited her rising. She rose at nine that December night: above the horizon I saw her come. She could shine yet with pale grandeur and steady might; but that star verged already on its judgment-day. Seen near, it was a chaos - hollow, half-consumed: an orb perished or perishing - half lava, half glow. I had heard this woman termed 'plain,' and I expected bony harshness and grimness - something large, angular, sallow. What I saw was the shadow of a royal Vashti: a queen, fair as the day once, turned pale now like twilight, and wasted like wax in flame. For awhile - a long while - I thought it was only a woman, though an unique woman, who moved in might and grace before this multitude. By-and-by I recognized my mistake. Behold! I found upon her something neither of woman nor of man: in each of her eyes sat a devil. These evil forces bore her through the tragedy, kept up her feeble strength - for she was but a frail creature; and as the action rose and the stir deepened, how wildly they shook her with their passions of the pit! They wrote HELL on her straight, haughty brow. They tuned her voice to the note of torment. They writhed her regal face to a demoniac mask. Hate and Murder and Madness incarnate she stood. It was a marvellous sight: a mighty revelation. It was a spectacle low, horrible, immoral. Swordsmen thrust through, and dying in their blood on the arena sand; bulls goring horses disembowelled, made a meeker vision for the public - a milder condiment for a people's palate - than Vashti torn by seven devils: devils which cried sore and rent the tenement they haunted, but still refused to be exorcised. Suffering had struck that stage empress; and she stood before her audience neither yielding to, nor enduring, nor in finite measure, resenting it: she stood locked in struggle, rigid in resistance. She stood, not dressed, but draped in pale antique folds, long and regular like sculpture. A background and entourage and flooring of deepest crimson threw her out, white like alabaster - like silver: rather, be it said, like Death.

Charlotte Bronte#37

DisillusionmentExpectationExpectationsFameJudgmentPerformanceReality

About this quote

What does it mean?
The speaker anticipates a performance with awe but finds the subject's reality is flawed and nearing decline upon close inspection.
In plain terms
I expected great talent but saw a hollow person nearing their end.
What can you take from it?
Expectations often differ from reality upon close inspection.

Where it applies

  • evaluating public figures
  • first impressions
  • career assessment

Putting it to work

  • verify reputations independently
  • observe closely
  • adjust expectations

Questions to consider

  • Have you been disappointed by a hero?
  • What does fame hide?

Another view

First impressions are not always accurate indicators of potential.

More from Charlotte Bronte

  1. Reader, I married him.

    Permalink to quote #36
  2. I recalled the voice I had heard; again I questioned whence it came, as vainly as before: it seemed in me - not in the external world. I asked, was it a mere n…

    Permalink to quote #35
  3. 'I scorn your idea of love,' I could not help saying, as I rose up and stood before him, leaning my back against the rock. 'I scorn the counterfeit sentiment y…

    Permalink to quote #34

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