Can the ear hear a thirteen-syllable line as consisting of thirteen syllables? I don't think so, but I think that a series of thirteen-syllable lines (supposing that was the length chosen) would, after a while, begin to have a characteristic resemblance. For the most part, though, counting the syllables seems to be something that works, if it works, for the poet. It is a private method of organization.
About this quote
- What does it mean?
- Counting syllables in a line may not be perceptible, but over time a pattern emerges that helps the poet organize their work.
- In plain terms
- Syllable counts aren't obvious, but they shape a poem over time.
- What can you take from it?
- Use consistent structure to guide your writing.
Where it applies
Putting it to work
Questions to consider
- Do you feel the rhythm without counting?
- When does structure become limiting?
Another view
Not all poets rely on strict syllable counts.
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