10 Kurt Vonnegut Quotes on Culture

Kurt Vonnegut quotes on culture

1. I sometimes wondered what the use of any of the arts was. The best thing I could come up with was what I call the canary in the coal mine theory of the arts. This theory says that artists are useful to society because they are so sensitive. They are super-sensitive. They keel over like canaries in poison coal mines long before more robust types realize that there is any danger whatsoever.

2. High school is closer to the core of the American experience than anything else I can think of.

23. 'Strange business,' said Lasher. 'This crusading spirit of the managers and engineers, the idea of designing and manufacturing and distributing being sort of a holy war: all that folklore was cooked up by public relations and advertising men hired by managers and engineers to make big business popular in the old days, which it certainly wasn't in the beginning. Now, the engineers and managers believe with all their hearts the glorious things their forebears hired people to say about them. Yesterday's snow job becomes today's sermon.'

68. You know what gets me? ... How everybody says 'fuck' and 'shit' all the time. I used to be scared shitless I'd say 'fuck' or 'shit' in public, by accident. Now everybody says 'fuck' and 'shit', 'fuck' and 'shit' all the time. Something very big must have happened while we were out of the country.

74. When I was a naive young recruit in Spain, I used to wonder why soldiers bayoneted oil paintings, shot the noses off statues and defecated into grand pianos. I now understand: it was to teach civilians the deepest sort of respect for men in uniform - uncontrollable fear.

104. I've often thought there ought to be a manual to hand to little kids, telling them what kind of planet they're on, why they don't fall off it, how much time they've probably got here, how to avoid poison ivy, and so on. I tried to write one once. It was called Welcome to Earth. But I got stuck on explaining why we don't fall off the planet. Gravity is just a word. It doesn't explain anything. If I could get past gravity, I'd tell them how we reproduce, how long we've been here, apparently, and a little bit about evolution. I didn't learn until I was in college about all the other cultures, and I should have learned that in the first grade. A first grader should understand that his or her culture isn't a rational invention; that there are thousands of other cultures and they all work pretty well; that all cultures function on faith rather than truth; that there are lots of alternatives to our own society. Cultural relativity is defensible and attractive. It's also a source of hope. It means we don't have to continue this way if we don't like it.

109. Which brings us to the arts, whose purpose, in common with astrology, is to use frauds in order to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on inside. And on and on.

175. During my most recently controlled near-death experience, I got to interview William Shakespeare. We did not hit it off. He said the dialect I spoke was the ugliest English he had ever heard, 'fit to split the ears of groundlings.' He asked if it had a name, and I said 'Indianapolis.'

201. Old Norwegian Proverb: Swedes have short dicks but long memories.

225. We've sure come a long way since then. Sometimes I wish we hadn't. I hate H-bombs and the Jerry Springer show.