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Any attempt to codify musical reality into a kind of imitation grammar (I refer mainly to the efforts associated with the Twelve-Tone System) is a brand of fetishism which shares with Fascism and racism the tendency to reduce live processes to immobile, labeled objects, the tendency to deal with formalities rather than substance. Claude Levi-Strauss describes (though to illustrate a different point) a captain at sea, his ship reduced to a frail raft without sails, who, by enforcing a meticulous protocol on his crew, is able to distract them from nostalgia for a safe harbor and from the desire for a destination.

Luciano Berio#1

ArtMusicControlCreativitySystem

About this quote

What does it mean?
Trying to codify music into rigid systems reduces live processes to static objects. This fetishism resembles fascist tendencies to prioritize form over substance.
In plain terms
Rigid musical rules turn living art into dead objects.
What can you take from it?
Avoid reducing creative processes to strict, immobile systems.

Where it applies

  • music composition
  • artistic critique
  • system design

Putting it to work

  • prioritize substance over form
  • avoid rigid artistic rules

Questions to consider

  • Does structure limit creativity?
  • How do you balance form and substance?

Another view

Some musical systems provide necessary structure for composition and education.

More from Luciano Berio

  1. Alas, this industrialized twelve-tone horse, dull on the outside and empty inside, constantly being perfected and dragged to a new Troy in shadow of an ideolog…

    Permalink to quote #2
  2. Music is everything that one listens to with the intention of listening to music.

    Permalink to quote #3

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