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Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it's impossible to determine warp, woof, or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which had come to assume greater importance than the weave itself and destroy any continuity. Thus it is that we are charmed by the funny-looking automobiles of the '30's, the curious fashions of the '20's, the particular moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see.

Thomas Pynchon#8

PhilosophyCultureHistoryTraditionNostalgia

About this quote

What does it mean?
The passage argues that modern life is fragmented, creating false nostalgia and loss of continuous tradition.
In plain terms
It says we are stuck in fragmented memories and lose a sense of ongoing tradition.
What can you take from it?
Recognize and seek continuity beyond nostalgic fragments.

Where it applies

  • cultural analysis
  • self‑reflection

Putting it to work

  • challenge nostalgic myths
  • embrace broader narratives

Questions to consider

  • How can we build a sense of continuous tradition?

Another view

The metaphor may be overly abstract for practical use.

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