27 Walt Disney Quotes on Work
Walt Disney quotes on work
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Well, my greatest reward, I think, is that I've been able to build this wonderful organization. I've been able to enjoy good health, and the way I feel today, I feel like I can still go on being part of this thing after forty some odd years of business, and also, to have the public appreciate and accept what I've done all these years. That, that is a great reward. ... Well of course, happiness is a state of mind. You can be happy or you can be unhappy. It's just according to the way you look at things. You know. So I think happiness is contentment but it doesn't mean you have to have wealth. But all individuals are different. Some of us just wouldn't be satisfied with just carrying out a routine job and being happy. Yet I envied those people. I had a brother who I really envied because he was a mailman. But he's the one that had all the fun. He had himself a trailer, and he used to go out and go fishing, and he didn't worry about payrolls and stories and picture grosses or anything. And he was the happy one. I always said, 'He's the smart Disney.'
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We allow no geniuses around our Studio.
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I believe in being an innovator.
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I am interested in entertaining people, in bringing pleasure, particularly laughter, to others, rather than being concerned with 'expressing' myself with obscure creative impressions.
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Disneyland is a work of love. We didn't go into Disneyland just with the idea of making money.
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In my view, wholesome pleasure, sport, and recreation are as vital to this nation as productive work and should have a large share in the national budget.
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Do a good job. You don't have to worry about the money; it will take care of itself. Just do your best work - then try to trump it.
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A man should never neglect his family for business.
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Art was always a means to an end with me. You get and idea, and you just can't wait. Once you've started, then you're in there with the punches flying. There's plenty of trouble, but you can handle it. You can't back out. It gets you down once in a while, but it's exciting. Our whole business is exciting.
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Get a good idea and stay with it. Do it, and work at it until it's done right.
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I do have a special feeling for mice. Mice gathered in my wastebasket when I worked late at night. I lifted them out and kept them in little cages on my desk. One of them was my particular friend. Then before I left Kansas City I carefully carried him out into a field and let him go.
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I happen to be a kind of inquisitive guy and when I see things I don't like, I start thinking why do they have to be like this and how can I improve them?
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I just want to leave you with thought, that it's just been sort of a dress rehearsal and we're just getting started. So if any of you start resting on your laurels, I mean just forget it, because: we are just getting started.
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I met a guy on the train when I was comin' out. It was one of those things that kind of makes you mad. I was out on the platform - I was in pants and coat that didn't match but I was riding first class. I was making conversation with a guy who asked me, 'Goin' to California?' 'Yeah, I'm goin' out there.' 'What business are you in?' I said 'The motion-picture business.' 'What do you do?' I said 'I make animated cartoons.' 'Oh' 'It was like saying I sweep latrines.' 'Some people make you mad, and you want to prove something to them even though they mean nothing to you. I thought of that guy... when we had the premiere of Snow White.
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I'm doing this because I want to do it better.
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I've never believed in doing sequels. I didn't want to waste the time I have doing a sequel; I'd rather be using that time doing something new and different.
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If I were a fatalist, or a mystic, which I decidedly am not, it might be appropriate to say I believe in my lucky star. But I reject 'luck' - I feel every person creates his own 'determinism' by discovering his best aptitudes and following them undeviatingly.
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It's kind of fun to do the impossible.
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It's something that will never be finished. Something that I can keep developing... and adding to.
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My role? Well, you know I was stumped one day when a little boy asked, 'Do you draw Mickey Mouse?' I had to admit I do not draw anymore. 'Then you think up all the jokes and ideas?' 'No,' I said, 'I don't do that.' Finally, he looked at me and said, 'Mr. Disney, just what do you do?' 'Well,' I said, sometimes I think of myself as a little bee. I go from one area of the Studio to another and gather pollen and sort of stimulate everybody. I guess that's the job I do.'
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No one person can take credit for the success of a motion picture. It's strictly a team effort. From the time the story is written to the time the final release print comes off the printer, hundreds of people are involved - each one doing a job - each job contributing to the final product. And - if the picture wins an award, the feeling of satisfaction... can rightfully be shared by each and everyone.
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That place is my baby and I would prostitute myself for it.
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The inclination of my life - the motto, you might call it - has been to do things which will give pleasure to people in new and amusing ways. By doing that I please and satisfy myself. It is my wish to delight all members of the family, young and old, parent and child, in the kind of entertainment my associates and I turn out of our Studio in Burbank, California.
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The life and ventures of Mickey Mouse have been closely bound up with my own personal and professional life. It is understandable that I should have sentimental attachment for the little personage who played so big a part in the course of Disney Productions and has been so happily accepted as an amusing friend wherever films are shown around the world. He still speaks for me and I still speak for him.
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The way to get started is to quit talking and begin doing.
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When we consider a project, we really study it - not just the surface idea, but everything about it. And when we go into that new project, we believe in it all the way. We have confidence in our ability to do it right. And we work hard to do the best possible job.
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You reach a point where you don't work for money.
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