26 William Butler Yeats Quotes on Love
William Butler Yeats quotes on love
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Down by the salley gardens my love and I did meet; She passed the salley gardens with little snow-white feet. She bid me take love easy, as the leaves grow on the tree; But I, being young and foolish, with her would not agree. In a field by the river my love and I did stand, And on my leaning shoulder she laid her snow-white hand. She bid me take life easy, as the grass grows on the weirs; But I was young and foolish, and now am full of tears.
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A pity beyond all telling Is hid in the heart of love: The folk who are buying and selling, The clouds on their journey above, The cold wet winds ever blowing, And the shadowy hazel grove Where mouse-grey waters are flowing, Threaten the head that I love.
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When you are old and gray and full of sleep, And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep; How many loved your moments of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim soul in you, And loved the sorrows of your changing face. And bending down beside the glowing bars, Murmur, a little sadly, how Love fled And paced upon the mountains overhead And hid his face amid a crowd of stars.
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I will find out where she has gone, And kiss her lips and take her hands; And walk among long dappled grass, And pluck till time and times are done The silver apples of the moon, The golden apples of the sun.
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Had I the heavens' embroidered cloths, Enwrought with the golden and silver light, The blue and the dim and the dark cloths Of night and light and half-light, I would spread the cloths under your feet: But I, being poor, have only my dreams; I have spread my dreams beneath your feet; Tread softly because you tread on my dreams.
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One that is ever kind said yesterday: 'Your well-beloved's hair has threads of grey, And little shadows come about her eyes; Time can but make it easier to be wise Though now it seems impossible, and so All that you need is patience.' Heart cries, 'No, I have not a crumb of comfort, not a grain. Time can but make her beauty over again: Because of that great nobleness of hers The fire that stirs about her, when she stirs, Burns but more clearly. O she had not these ways When all the wild summer was in her gaze.' O heart! O heart! if she'd but turn her head, You'd know the folly of being comforted.
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Never give all the heart, for love Will hardly seem worth thinking of To passionate women if it seem Certain, and the never dream That it fades out from kiss to kiss; For everything that's lovely is but a brief, dreamy, kind of delight. O never give the heart outright, For they, for all smooth lips can say, Have given their hearts up to the play. And who could play it well enough If deaf and dumb and blind with love? He that made this knows all the cost, For he gave all his heart and lost.
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O hurry where by water among the trees The delicate-stepping stag and his lady sigh, When they have but looked upon their images-- Would none had ever loved but you and I! Or have you heard that sliding silver-shoed Pale silver-proud queen-woman of the sky, When the sun looked out of his golden hood?-- O that none ever loved but you and I! O hurry to the ragged wood, for there I will drive all those lovers out and cry-- O my share of the world, O yellow hair! No one has ever loved but you and I.
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Sweetheart, do not love too long: I loved long and long, And grew to be out of fashion Like an old song. All through the years of our youth Neither could have known Their own thought from the other's We were so much at one. But O, in a minute she changed-- O do not love too long, Or you will grow out of fashion Like an old song.
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It's certain there is no fine thing Since Adam's fall but needs much labouring. There have been lovers who thought love should be So much compounded of high courtesy That they would sigh and quote with learned looks Precedents out of beautiful old books; Yet now it seems an idle trade enough.
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I had a thought for no one's but your ears: That you were beautiful, and that I strove To love you in the old high way of love; That it had all seemed happy, and yet we'd grown As weary-hearted as that hollow moon.
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Wine comes in at the mouth And love comes in at the eye; That's all we shall know for truth Before we grow old and die. I lift the glass to my mouth, I look at you, and I sigh.
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Some may have blamed you that you took away The verses that could move them on the day When, the ears being deafened, the sight of the eyes blind With lightning, you went from me, and I could find Nothing to make a song about but kings, Helmets, and swords, and half-forgotten things That were like memories of you--but now We'll out, for the world lives as long ago; And while we're in our laughing, weeping fit, Hurl helmets, crowns, and swords into the pit. But, dear, cling close to me; since you were gone, My barren thoughts have chilled me to the bone.
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O love is the crooked thing, There is nobody wise enough To find out all that is in it, For he would be thinking of love Till the stars had run away And the shadows eaten the moon.
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Unwearied still, lover by lover, They paddle in the cold Companionable streams or climb the air; Their hearts have not grown old.
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Nothing that we love over-much Is ponderable to our touch.
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In courtesy I'd have her chiefly learned; Hearts are not had as a gift but hearts are earned By those that are not entirely beautiful; Yet many, that have played the fool For beauty's very self, has charm made wise. And many a poor man that has roved, Loved and thought himself beloved, From a glad kindness cannot take his eyes.
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Does the imagination dwell the most Upon a woman won or woman lost?
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But is there any comfort to be found? Man is in love and loves what vanishes, What more is there to say?
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Everything that man esteems Endures a moment or a day. Love's pleasure drives his love away, The painter's brush consumes his dreams.
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Only God, my dear, Could love you for yourself alone And not your yellow hair.
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But Love has pitched his mansion in The place of excrement; For nothing can be sole or whole That has not been rent.
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What were all the world's alarms To mighty Paris when he found Sleep upon a golden bed That first dawn in Helen's arms?
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Speech after long silence; it is right, All other lovers being estranged or dead, Unfriendly lamplight hid under its shade, The curtains drawn upon unfriendly night, That we descant and yet again descant Upon the supreme theme of Art and Song: Bodily decrepitude is wisdom; young We loved each other and were ignorant.
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All women dote upon an idle man Although their children need a rich estate. No man has ever lived that had enough Of children's gratitude or woman's love.
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Players and painted stage took all my love, And not those things that they were emblems of.
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