Quote #147

With the possible exception of What's Up, Tiger Lily (1966), the schlocky Japanese spy movie to which he attached his own, sidesplitting English soundtrack, no Woody Allen movie has ever been more or less serious than another of his works. He's always been serious. It's the audiences who have been frivolous. In Zelig he reassures us that he can still be funny and moving without making the sort of insistent filmic references in which he delights but which can be infuriating to others. Zelig is a nearly perfect - and perfectly original - Woody Allen comedy.