11 Gerald Durrell Quotes on Nature

Gerald Durrell quotes on nature

1. Right in the Hart of the Africn Jungel a small wite man lives. Now there is one xtrordenry fackt about him that he is the frind of all animals.

2. Halfway up the slope, guarded by a group of tall, slim, cypress-trees, nestled a small strawberry-pink villa, like some exotic fruit lying in the greenery. The cypress-trees undulated gently in the breeze, as if they were busily painting the sky a still brighter blue for our arrival. The villa was small and square, standing in its tiny garden with an air of pink-faced determination. Its shutters had been faded by the sun to a delicate creamy-green, cracked and bubbled in places. The garden, surrounded by tall fuschia hedges, had the flower beds worked in complicated geometrical patterns, marked with smooth white stones. The white cobbled paths, scarcely as wide as a rake's head, wound laboriously round beds hardly larger than a big straw hat, beds in the shape of stars, half-moons, triangles, and circles all overgrown with a shaggy tangle of flowers run wild. Roses dropped petals that seemed as big and smooth as saucers, flame-red, moon-white, glossy, and unwrinkled; marigolds like broods of shaggy suns stood watching their parent's progress through the sky. In the low growth the pansies pushed their velvety, innocent faces through the leaves, and the violets drooped sorrowfully under their heart-shaped leaves. The bougainvillaea that sprawled luxuriously over the tiny iron balcony was hung, as though for a carnival, with its lantern-shaped magenta flowers. In the darkness of the fuschia-hedge a thousand ballerina-like blooms quivered expectantly. The warm air was thick with the scent of a hundred dying flowers, and full of the gentle, soothing whisper and murmur of insects.

3. Gradually the magic of the island settled over us as gently and clingingly as pollen. Each day had a tranquillity, a timelessness, about it so that you wished it would never end. But then the dark skin of night would peel off and there would be a fresh day waiting for us, glossy and colourful as a child's transfer and with the same tinge of unreality.

7. Firstly what does conservation mean? It is not merely the saving from extinction of such species as the Notornis, the Leadbetters Possum or the Leathery Turtle; this is important work but it is only part of the problem. You cannot begin to preserve any species of animal unless you preserve the habitat in which it dwells. Disturb or destroy that habitat and you will exterminate the species as surely as if you had shot it. So conservation means that you have to preserve forest and grassland, river and lake, even the sea itself. This is not only vital for the preservation of animal life generally, but for the future existence of man himself - a point that seems to escape many people. We have inherited an incredibly beautiful and complex garden, but the trouble is that we have been appallingly bad gardeners. We have not bothered to acquaint ourselves with the simplest principles of gardening. By neglecting our garden, we are storing up for ourselves, in the not very distant future, a world catastrophe as bad as any atomic war, and we are doing it with all the bland complacency of an idiot child chopping up a Rembrandt with a pair of scissors. We go on, year after year, all over the world, creating dust bowls and erosion, cutting down forests and overgrazing our grasslands, polluting one of our most vital commodities - water - with industrial filth and all the time we are breeding with the ferocity of the Brown Rat, and wondering why there is not enough food to go round. We now stand so aloof from nature that we think we are God. This has always been a dangerous supposition. The attitude of the average person to the world they live in is completely selfish. When I take people round to see my animals, one of the first questions they ask (unless the animal is cute and appealing) is, 'what use is it?' by which they mean, 'what use is it to them?' To this one can reply 'What use is the Acropolis?' Does a creature have to be of direct material use to mankind in order to exist? By and large, by asking the question 'what use is it?' you are asking the animal to justify its existence without having justified your own.

8. An immensely tall, angular figure ... His gown hung round him in long folds like the wings of a bat, and his wig was perched slightly askew over a lantern jawed face with a blue chin, soulful spaniel-brown eyes and a turned-down mouth like a slit. But for his garb, you would have said that he was a dyspeptic undertaker in a town where nobody ever died.

9. His pen squeaking like a demented wren as he wrote copious notes.

14. The Mockery Bird regarded him with a roguish eye, head on one side, and took a few slow steps into the clearing. With its head on one side and its foot tentatively raised, it seemed like some sort of lanky, avian dancing master. It stepped forward among the guava stems with a mincing delicacy and then shuffled its wings like someone shuffling a pack of cards. He noticed that it had very long eyelashes which it raised and lowered over its large gaily-sparkling eyes. ... There was another complicated rustle and flurry in the undergrowth and then, projected into the clearing by its own nervous eagerness, came a female Mockery Bird making strange, peeting noises, which became a soothing babble when she caught sight of the male. She went up to her mate and briefly preened his throat feathers as an over-zealous wife will straighten the tie of her consort. ... Here in front of him, cossetting each other, were two birds which were thought to be extinct.

15. The island [Corfu] lies like a strange, misshapen dagger in the blue Ionian Sea, midway along the Greek and Albanian coastlines. In the past, it has fallen into the hands of a dozen different nations, from all of which it has absorbed what it found good and rejected the rest, thus keeping its individuality. Unlike so many parts of Greece, it is green and lush, for when it was part of the Venetian empire they used it as their oil store, planting thousands of olive trees, so that now the bulk of the island is shaded by these carunculated giants with their wigs of silvery-green leaves. Between them run the admonishing fingers of black-green cypress, many planted in groves as dowries. All this creates a mystical landscape, bathed in sharp brittle sunlight, orchestrated by the knife-grinder song of the cicadas, framed in the blue, still sea. Of all the wonderful and fascinating parts of the planet I have been privileged to visit, Corfu is the nearest approach to home for me, since it was here, nurtured in sunlight, that my fascination for the living world around me came to fruition.

16. To say that Gannet City was busy would be an understatement. New York in the rush-hour would appear immobile in comparison. There were gannets incubating, feeding chicks, flirting, mating, preening and launching themselves into the air in effortless flight on their six-foot wings. With their creamy- white bodies, wing-tips black as jet and their orange-coloured nape and head they were impressive and immensely handsome.

17. Presently, however, we came to a small clearing and there, squatting at the mouth of its burrow was the musician responsible for the ringing, flute-like cry - a fat ground squirrel, wearing a tasteful suit of rust-red and grey fur. He sat as upright as a guardsman at the entrance to his home and his ribcage pumped in and out as he gave his musical warning cry. His big, liquid eyes stared at us with that intense, slightly inane expression that most squirrels wear, and his little paws trembled with his vocal efforts.

19. If naturalists go to heaven [about which there is considerable ecclesiastical doubt], I hope that I will be furnished with a troop of kakapo to amuse me in the evening instead of television.