28 Gloria Estefan Quotes on Family

Gloria Estefan quotes on family

5. Who is Gloria Estefan today? I'm very fulfilled as a woman. I've been able to have a wonderful family life, a fantastic career. I have a lot of good friends around me. My family has been my grounding point, and rooted me deeply to the earth. . . I'm very happy. I've done everything I ever wanted to do. The key to me was -- I told my husband when we were in our 20s -- I'm going to work really hard, so one day I won't have to work so hard. And to me what that was, was having choices. And I do have choices now -- and I have take full advantage of that. It's important for me now to be here for my little girl [Emily, age 12]. My son is full grown -- and I know have quickly that goes. So, I'm balancing being a mother -- which to me is the most important role I have on this earth -- and still being creative, writing -- which is what I love to do. So, I've been able to branch out into not just writing songs like you have heard through the years -- but writing children's books, writing a screenplay. But at my core that's what I am: a writer. And that's what I enjoy doing behind the scenes: writing the songs for albums, recording it. And that's why you have seen me take more of a back seat to being the center of attention, and being out on tour and doing that kind of thing. I've stepped up a lot of my charity work. This year, the five concerts I did were all for charity: different ones and my own foundation. So, that's becoming a bigger and bigger part of my life -- as I wanted it to be. And [I keep] just growing and evolving.

7. My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing 'Ferry Cross the Mersey,' by Gerry and the Pacemakers, and thinking, 'that had bongos and maracas -- that was really a bolero.' And the Beathles song, 'Till There was You' . . . also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release 'Mi Tierra' -- we wanted my fans to be rady for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of '90 Millas' starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba.

14. It took us two years to write, produce and arange the new album [90 Millas]. Aside from that, I wrote the two children's books based on Noelle, my bulldog, and I was fortunate enought that they ended up on the New York Times bestseller list. By now, we've got seven restaurants and two hotels, which we're very hands-on with, and we're building a third one in Vero Beach, Florida, And I took a vacation for once, because ever since Emilio and I got married in'78, every trip we've take has been for work. So last year, we went to Egypt, Panama, the Bahamas and Greece. It was fantastic!

16. My father rarely spoke of life before [he left Cuba]. About prison, he jsut said, 'That man is a genius at PR.' Castro would come to the jail in the middle of the night and ask the prisoners, 'What are you doing here? Don't you see we're trying to do the right thing?' The reason I'm not more political is because I have music. And from a young age, I needed it. After prison, my father came to America, joined the Army, fought in Vietnam -- and was exposed to Agent Orange. He died a slow, horrible death. Music was my escape.

46. Well, not so much politics. A couple of my songs have a social commentary, like Oye Mi Canto (Hear My Voice). I really can't escape from politics because my father was a political prisoner in Cuba; he went to Vietnam. But I try to stay away from politics as much as possible.

53. Well, you know, in the first place I'm a pretty private person. But I can assure you that I'm no saint by any means of the imagination. You know, we go to parties and we drink like any other people. But I think the key word is balance. I've been married (to keyboardist Emilio Estefan) for 28 years; we've been together for 30 years. I had my son when I was very young and my priority has always been my family. My husband has been very supportive. We live a very normal life, something that may be boring to some people. But it's a great life! We travel a lot. My son is 26 and my dauther is 11. Family is the center of our lives. We try to stay out of the tabloids.

55. My grandmother would shanghai pilots at the Havana airport so they'd bring me cartons of mango baby food -- the only kind I'd eat. I learned to eat peach later. And in every carton, she'd slip in a Cuban record.

57. We are trying to celebrate in the new album -- 90 Miles [coming out in the summer of 2007] is the fact that after almost 50 years our homeland [Cuba] is not ours. We have amazing musicians on board preparing this album, and some continue to come on board. It's all new music we've wriiten - all new stuff . . . No relaxing for me . . . I've got the Connie Francis screenplay I'm working on, which we just finished. We have a producer . . . I've got to meet the director that I'm going to go hammer . . . I've been working on it since 2000 with Connie Francis, who is darling. Plus, I'm a mommy . . . I take her [12-year-old Emily] to games, take her to school, pick her up . . . We're women, we're used to [constantly juggling responsibilities].

59. Oh, that's a good question because what I would consider essential may be different than what my record company and the fans might have in mind. But when you do a retrospective of 20 years like this (album) and realize that you had so many hit singles, it's really an honor. There's a couple of songs that I wrote, one is called 'Along Came You' for my daughter Emily; and the other, 'Nayib's Song (I Am Here for Your) for my son. Both are in the 'slow disc.' I put them in even if they were not singles or hits because for me my being a mother is an essesntial part of who I am.'

62. Now my life is pretty much bliss. I have two healthy children and a great marriage (Emilio and I have been together for 28 years). I still have one ambition: to do a concert in Cuba. It's the beginning of the end for Castro and, well, I've performed for every audience of practically every nationality except my own. Performing there would be one ot the highlights of my life.

66. We went back [to Cuba] once, in 1979, when President Jimmy Carter gave the opportunity for people with family members to go. We went to help get Emilio's only brother and his two kids [one of whom, Lili, is la Flaca from Univision's El Gordo y la Flaca] out. We got them a visa through Costa Rica, but when Emilio's brother announced that he was leaving, [the government] starting taking repressive measures against him, so he went into hiding for two months until they were able to leave. While we were there, Emilio and I bought them things they didn't even know existed, like apples and olives, from the diplotiendas [stores open only to tourists]. To this day, Lili has an olive fetish.

69. Being a mom is my number one job. My son [Nayib, 27] lives in Los Angeles and he has his own company where he works on music and film projects, but he calls me every day. Emily [who is 12] is very athletic; she plays tennis and basketball. I love going to her games. If she needs help with her home work, I'll sit with her. She also is very musical -- she writes poetry and plays the guitar. I always tell both my kids, 'Find what makes you happy. The money will come regardless of what you do, and more or less of it is not going to be what makes you happy. Spending hours at something you enjoy will.'

72. It's a dream for any artist to have a catalogue of music that would be considered his greatest hits. For me, as a singer and songwriter, to release a collection of music that spans over two decades of my life and career is especially meaningful. Those songs represtent a life in progress. As it is with any life, people and experiences become a part of one's creations and helped give birth to twenty-four albums. I would like to dedicate this body of work -- especially 'Nayib's Song' and 'Along Came You' -- to my two beautiful children who inspired those songs and who inspire me on a daily basis, and whom I consider my best works to date. I owe a great deal of gratitude to all of my fans who have ridden this incredible rollercoaster of life with me and who are the reason I have tried to remain true to the gift I have been granted: that of making music. And although it's very difficult to decide what is truly essential, you can be sure that what is in this collection is what you -- the fans across the world -- made into hits. And for that, I will be eternally thankful.

81. When [my mother] saw we were not going to be able to go back [to Cuba] it became increasingly important for her to make our culture very prevalent and very important in our lives -- and in our household. We spoke only Spanish. I didn't learn English until I went to school in first grade. And the [Cuban] music and the food was very much a part of our life. I'm glad for that, because it is as well for my children.

86. I had always thought about a lullaby album. But when Noelle came along, my little Colombian bulldog, she really gave me a plethora of ideas. I remembered when I was little in Texas and I was the only Hispanic in my class. Because the first book was about feelings, how Noelle's weaknesses turned into her strengths. That you have to keep your identity.

95. My grandfather . . . was a commander in the Cuban army -- not just a Batista [General Fulgencio Batista y Zalduvar was Cuba's 19th president from October, 1938 until January, 1959)] -- but he was a career general there. And he had been through a few of the differenct presidents of Cuba . . . My father became a motorcycle officer. He was a good-looking guy, so he was chosen to be the first lady's [Mrs. Batista's] escort. So they were very close to the government when Batista came in power. And then immediately after [Castro seized power on January 1, 1959] [my father] joined the Bay of Pigs invasion to try to liberate Cuba . . . and he was a political prisoner for two years there [in Cuba].

97. For fourteen years [1966 to 1980] [my father] suffered a debilitating disease [multiple schlerosis]. I took care of him for most of that time, until he was no longer able to be taken care of at home . . . So, in essence, I was caring for [my father] and my younger sister [Becky], six years younger than I. It was difficult for me. It was a tough time. Music was my escape -- my catharsis. My way of just getting my emotions out. Music has always been a beautiful force in my life.

102. [While her father was a political prisoner in Cuba] I was always singing and dancing and reciting poems -- that was how I used to do my crying over my father. There were a lot of negotiations between the US and Cuban governments over the next couple of years [1961 - 1963]. [Castro proposed an exchange of prisoners for food, medicine and building machinery], and eventually my dad was released. It was wonderful to have him home -- it was probably the happiest time in my life. For once, the whole family was together, living a normal life. That was when my sister, Becky, was born [1964], and it was also when I started guitar lessons. I would lock myself away in my room for days, learning how to play. Even then I was beginning to work out that music was a way to cut throught all the BS.

104. I have a twenty-month-old baby [girl], [and] a sixteen-year-old boy- same maturity level.

109. She [then nine-year-old daughter Emily] grew up with 'The Rhythm is Gonna Get You,' Well . . . It got her!

121. Dad joined the US Army by this point [1964], and initially he was stationed in Texas and then South Carolina. But the Vietnam war brought our normal life to an end. Once again, Dad was gone. Communications were very basic back then: Dad couldn't just pick up a cellphone and let us know he was okay. Months would go by without a letter or anything. Eventually he bought two tape recorders -- one he kept with him and one for our house. Dad used to talk into the recorder and send the tapes home. Then we would gather round our machine and tell Dad stories. And I would sing. I still have all the tapes, but I can't listen to them. It hurts too much. After Dad came back from Nam, he wasn't well. He'd been poisoned by Agent Orange and needed quite a lot of looking after. Mum was busy trying to get her Cuban qualifications revalidated by a US university, so I had to take care of Dad and my little sister [Becky]. It was tough. Toward the end, Dad was too far gone and he didn't really know what was hapening around him. I joined Miami Sound Machine in 1975 and we were getting quite successful, but Dad didn't even know who I was. He had to be moved to the hospital. On my wedding day in 1978 [September 2] I went to visit him, still wearing my wedding dress. That was the last time that he said my name. Dad died in 1980, but he touches my life every day. On my last album [Unwrapped] I did a lot of writing while I was looking at a picture of him in his younger days -- so happy and in the prime of his life. I'm not sure if he sees me, but I can feel him all around me. I hope he knows that I am so very proud of him.

145. . . . Latino or Hispanic families are quite matriarchal, if you hadn't noticed -- despite what we let the men believe. Hey, that's the way it goes. The men know it too, but we have to keep that illusion alive for them -- that there're the boss. Hey, I see that strikes a cord. Thank God, the men are applauding too.

150. And, because of the life that I shared with these two amazing women [her mother and maternal grandmother] and the hardships and struggles that I saw them overcome, I learned an invaluable lesson: and that is that women can do anything we set our minds to . . . and then some!

152. The separation of families to me is very close to my heart because we lived that as immigrants. I strongly feel that we all connected, and having felt people's love and support first-hand through difficult moments in my life, makes me feel it's our responsibility to help one another. I am privileged to help in some way, and I will always take that opportunity.

177. More than anything I want to be able to go back to Cuba, to have a house to visit there, to know my roots. I lost my father as a little girl, and I want to be able to find him again in my heritage.

190. Gloria Estefan was a huge influence for me. Of course, she was one of the few Latina women around who had this major international success. She sang in Spanish and English, and she was very much the sort of woman I recognised from my culture. I go to her home, and I think that she is a woman who has got it just right. She has her music, she has her family, she has her relationship. I admire her so much because she has always put her family before everything. All her priorities are in place and she is still an amazingly creative artist.

196. Freedom is not just words on paper. You have to exercise it in order for it to be alive and vibrant. I want my children to realilze that if you just sit by and let things slide, then nothing will ever change in this world.

199. I want to leave a legacy of love with my family, my friends, and with my music fans. I want people to know that I really cared about them and that I really was nurtured by their love.