8 Pauline Kael Quotes on Movies

Pauline Kael quotes on movies

8. The words 'Kiss Kiss Bang Bang,' which I saw on an Italian movie poster, are perhaps the briefest statement imaginable of the basic appeal of movies. This appeal is what attracts us, and ultimately what makes us despair when we begin to understand how seldom movies are more than this.

11. Alienation is the most common state of the knowledgeable movie audience, and though it has the peculiar rewards of low connoisseurship, a miser's delight in small favors, we long to be surprised out of it - not to suspension of disbelief nor to a Brechtian kind of alienation, but to pleasure, something a man can call good without self-disgust.

13. Movies make hash of the schoolmarm's approach of how well the artist fulfilled his intentions. Whatever the original intention of the writers and director, it is usually supplanted, as the production gets under way, by the intention to make money - and the industry judges the film by how well it fulfills that intention. But if you could see the 'artist's intentions' you'd probably wish you couldn't anyway. Nothing is so deathly to enjoyment as the relentless march of a movie to fulfill its obvious purpose. This is, indeed, almost a defining characteristic of the hack director, as distinguished from an artist.

20. Movies are so rarely great art, that if we cannot appreciate great trash, we have very little reason to be interested in them.

26. If we make any kind of decent, useful life for ourselves we have less need to run from it to those diminishing pleasures of the movies. When we go to the movies we want something good, something sustained, we don't want to settle for just a bit of something, because we have other things to do. If life at home is more interesting, why go to the movies? And the theatres frequented by true moviegoers - those perennial displaced persons in each city, the loners and the losers - depress us. Listening to them - and they are often more audible than the sound track - as they cheer the cons and jeer the cops, we may still share their disaffection, but it's not enough to keep us interested in cops and robbers. A little nose-thumbing isn't enough. If we've grown up at the movies we know that good work is continuous not with the academic, respectable tradition but with the glimpses of something good in trash, but we want the subversive gesture carried to the domain of discovery. Trash has given us an appetite for art.

41. If I never saw another fistfight or car chase or Doberman attack, I wouldn't have any feeling of loss. And that goes for Rottweilers, too.

49. If you can't make fun of bad movies on serious subjects, what's the point?

55. For some strange reason we don't go to charming, light movies anymore. People expect a movie to be heavy and turgid, like 'American Beauty.' We've become a heavy-handed society.