You take people, you put them on a journey, you give them peril, you find out who they really are. If there's any kind of fiction better than that, I don't know what it is.

Quiet on the set... unless yer poultry.

Plans for the series, lessee. New member? Hell yes. The team? Roadtrip to end all roadtrips. The core concept? Ain't even gonna go there.

I'd rather have a show that a hundred people need to see than a thousand people like to see.

I wanted readers to be genuinely unsure as to whether she's telling the truth or lying. It meant making her partly sympathetic, and partly unsympathetic, which…

Anecdotes don't make good stories. Generally, I dig down underneath them so far that the story that finally comes out is not what people thought their anecdote…

'I have this thing for generating character-oriented plots, where you look at a character and say 'What's the worst thing I could do to this guy?' I've found t…