30 Rollo May Quotes on Psychology
Rollo May quotes on psychology
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It may sound surprising when I say, on the basis of my own clinical practice as well as that of my psychological and psychiatric colleagues, that the chief problem of people in the middle decade of the twentieth century is emptiness.
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The human being cannot live in a condition of emptiness for very long: if he is not growing toward something, he does not merely stagnate; the pent-up potentialities turn into morbidity and despair, and eventually into destructive activities.
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In any discussion of religion and personality integration the question is not whether religion itself makes for health or neurosis, but what kind of religion and how is it used? Freud was in error when he held that religion is per se a compulsion neurosis. Some religion is and some is not.
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...I have described the human dilemma as the capacity of man to view himself as object and as subject. My point is that both are necessary -- necessary for psychological science, for effective therapy, and for meaningful living. I am also proposing that in the dialectical process between these two poles lies the development, and the deepening and widening, of human consciousness. The error on both sides -- for which I have used Skinner and the pre-paradox Rogers as examples -- is the assumption that one can avoid the dilemma by taking one of its poles. It is not simply that man must learn to live with the paradox -- the human being has always lived in this paradox or dilemma, from the time that he first became aware of the fact that he was the one who would die and coined a word for his own death. Illness, limitations of all sorts, and every aspect of our biological state we have indicated are aspects of the deterministic side of the dilemma -- man is like the grass of the field, it withereth. The awareness of this, and the acting on this awareness, is the genius of man the subject. But we must also take the implications of this dilemma into our psychological theory. Between the two horns of this dilemma, man has developed symbols, art, language, and the kind of science which is always expanding in its own presuppositions. The courageous living within this dilemma, I believe, is the source of human creativity.
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Both artists and neurotics speak and live from the subconscious and unconscious depths of their society. The artist does this positively, communicating what he experiences to his fellow men. The neurotic does this negatively.
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Our age is one of transition, in which the normal channels for utilizing the daimonic are denied; and such ages tend to be times when the daimonic is expressed in its most destructive form.
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A dynamic struggle goes on within a person between what he or she consciously thinks on the one hand and, on the other, some insight, some perspective that is struggling to be born. The insight is then born with anxiety, guilt, and the joy and gratification that is inseparable from the actualizing of a new idea or vision.
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This chapter is thus an essay on the creating of one's self. The self is made up, on its growing edge, of the models, forms, metaphors, myths, and all other kinds of psychic content which give it direction in its self-creation. This is a process that goes on continuously. As Kierkegaard well said, the self is only that which it is in the process of becoming. Despite the obvious determinism in human life-especially in the physical aspect of ones self in such simple things as color of eyes, height relative length of life, and so on-there is also, clearly, this element of self-directing, self-forming. Thinking and self-creating are inseparable. When we become aware of all the fantasies in which we see ourselves in the future, pilot ourselves this way or that, this becomes obvious.
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Imagination is the outreaching of mind . . . . the bombardment of the conscious mind with ideas, impulses, images and every sort of psychic phenomena welling up from the preconscious. It is the capacity to 'dream dreams and see visions . . . .
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The human imagination leaps to form the whole, to complete the scene in order to make sense of it. The instantaneous way this is done shows how we are driven to construct the remainder of the scene. To fill the gaps is essential if the scene is to have meaning. That we may do this in misleading ways-at times in neurotic or paranoid ways-does not gainsay the central point. Our passion for form expresses our yearning to make the world adequate to our needs and desires, and, more important, to experience ourselves as having significance.
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Anxiety is an even better teacher than reality, for one an temporarily evade reality ... but anxiety is a source of education always present because one carries it within.
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The daimonic power does not merely take the individual over as its victim, but works through him psychologically, it clouds his judgment, makes it harder for him to see reality, but still leaves HIM with the responsibility for the act.
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Not to recognize the daimonic itself turns out to be daimonic, it makes us accomplices on the side of the destructive possession.
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The Meaning of Anxiety (1950)
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Man's Search for Himself (1953)
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Existence (1956)
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Existential Psychoanalysis (1962)
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American Foreign Policy (1964)
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Psychology and the Human Dilemma (1967)
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Love and Will (1969)
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Existential Psychology (1969)
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Power and Innocence: A Search for the Sources of Violence (1972)
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The Courage to Create (1975)
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Power and Innocence (1976)
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Freedom and Destiny (1981)
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The Discovery of Being: Writings in Existential Psychology (1983)
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Therapeutic Experiencing: The Process of Change (1986)
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Dreams and Symbols (1986)
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Man's Search for Himself (1992)
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The Psychology of Existence (1994)
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