8 Randall Jarrell Quotes on Criticism
Randall Jarrell quotes on criticism
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Delmore carries such a petty, personally involved, New Yorkish atmosphere around with him it's almost unpleasant for me to see him. He thinks that Schiller and St Paul were just two Partisan Review editors.
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We live in an age which eschews sentimentality as if it were a good deal more than the devil. (Actually, of course, a writer may be just as sentimental in laying undue emphasis on sexual crimes as on dying mothers: sentimental, like scientific, is an adjective that relates to method, not to matter.)
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A successful poem says what a poet wants to say, and more, with particular finality. The remarks he makes about his poems are incidental when the poem is good, or embarrassing or absurd when it is bad - and he is not permitted to say how the good poem is good, and may never know how the bad poem is bad. It is better to write about other people's poetry.
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When you call people we you find it easy to be unfair to them, since you yourself are included in the condemnation.
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His dogmatism is more wild and personal than we are accustomed to, completely unspoiled by the hedging 'equanimity' that weakens the style and temperament of so many of our serious writers. His murderous intuitive phrases are famous; but at the same time his mind is essentially conservative and takes as much joy in rescuing the reputation of a sleeping good writer as in chloroforming a mediocre one.
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Your tenderness and terrorization, your prose sentences - like Bernini graves, staggeringly expensive, Italianate, warm, sentences once-and-for-all.
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What he could do in poetry he did early and with prodigious security; he was one of our true poets for thirty years and practically the only American poet able to cope with the Second Great War; many of us both younger and older would acknowledge him as a master in one degree or another. It was this gift of true pitch that made his teaching voice, his critical voice, as penetrating as it was.
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To have your poems criticized by Jarrell - when they didn't please him - was like meeting your fate, like a foretaste of death. To go with his daunting judgement, he had an unlimited stock of images for catching exactly each poet's inadequacies, so that their predicaments were far more vividly expressed than anything they themselves had written. Jarrell made literature out of their failure to make it.
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